Organized in collaboration with Solo Contemporary, this small-scale exhibition presents two small panels, Heaven and Hell, painted by a follower of Bosch ('s-Hertogenbosch, Netherlands, c. 1450–1516)—originally part of a lost triptych devoted to the theme of the Last Judgement—alongside contemporary works of a surreal, metamorphic, and fantastic nature. This continuity between contemporary artists and Bosch-like dream imagery is not an isolated case. His intense influence is exceptional: after his death, his inventions, moral satires, delirious imagery, and dark humor became a living tradition. It is no coincidence that André Breton saw in his visual logic an antecedent of Surrealism. Today, his visions coexist with the possibilities of digital technology and artificial intelligence, which generate, like his painting, fantastic worlds that encourage imagination and critical thought.
(Fundación Juan March Madrid)
The exhibition features the work of AES+F – Inverso Mundus Still 1-02, 2015, pigment print on paper, from the collection of Colección SOLO, Madrid.