ORTIGIA CONTEMPORANEASummer CampNordArt 2024 – 25th ANNIVERSARYInverso Mundus: ChimerasBiennale of Bonifacio #2The 5th Mediterranean BiennaleEmotionAES+F will join VRDays Immersive Tech Week during International Film Festival Rotterdam (IFFR) with their VR Project, ODYSSEY. Villa Circe.Au bout de mes rêvesRococo Madness! Fascination with Rococo in Silesia (18th–21st c.)NordArt 2023 FestivalInverso Mundus at BARÓ Gallery.Inverso Mundus at Het Nieuwe Muntgebouw.Statement on Russia's Invasion of UkraineTurandot 2070 at Dark Mofo Resurrection.Recipients of the AES+F Residency Award 2022Last Riot 2, The Bridge at "oh my data", Berlin!ALLEGORIA SACRA at “KANDINSKY PRIZE. 15 YEARS”THE FEAST OF TRIMALCHIO at the International DIAGHILEV. P.S. FESTIVAL.TURANDOT 2070 at the International Biennale "Art of the Future"Inverso Mundus, Pena Tiranna presented during Art Basel Miami Beach weekCorpus Domini. From the Glorified Body to the Ruins of the SoulC-LAB Future Media Arts FestivalLost, Hybrid, InvertedTurandot 2070, Orchid Avatar Available on The Art ExchangeCOLLABORATION WITH GENTLE MONSTERThe 4th Mediterranean BiennalePoints of ResistanceMedia Utopia#cute. Islands of HappinessEutopia: Narrative and RhetoricWhat Came to PassTurandotAES+F Artist Residency Award at ISCPFeast of TrimalchioTime CubismGeneva International Film FestivalAES+F. Feast of Trimalchio14th Curitiba BiennialAllegoria SacraPredictions and RevelationsQuid est veritas?Inverso MundusTurandotMare MediterraneumTurandotHyperPrometheus: The Legacy of FrankensteinBangkok Art Biennale 2018Inverso MundusWuthering HeightsBric-a-brac: The Jumble of GrowthHere and Now!RESIST! THE 1960S PROTESTS, PHOTOGRAPHY AND VISUAL LEGACYMare MediterraneumAES+F. Theatrum MundiArt of the 2000'sGeneral RehearsalLICHTEMPFINDLICH 2. Photography from the Schaufler collectionTRANSFER Download @ NADA NYThe Art of SimulationInverso MundusArt Riot: Post-Soviet ActionismPlease come back. The world as a prison?unREAL. The Algorithmic PresentBright Childhood | Dark ChildhoodMIG 21Hyper RealDigitalife 2017Lichsticht Projection Biennale 2017Fibering - Eco as a VerbStress Field / 4th Documentary Exhibition of Fine Artscurated by_Adrian NotzMIG 21AES+F. The Feast of TrimalchioInverso Mundus at ELEKTRA FestivalPsychosis PremiereInverso Mundus at Rencontres InternationalesDisturbanceNordArt 2017unREAL. The Algorithmic PresentDying well – False deathKino der KunstInverso Mundus at Rencontres InternationalesFeast of Trimalchio: Site-specific installation on Sunset BlvdImaginary AsiaNADA New York, 2017Please come back. The world as a prison?Bric-a-brac: The Jumble of Growththe real-fake.org.2.0The Last Gaze: Postmortem Portrait in Contemporary PhotographyL’arte differente: MOCAK al MAXXIAES+F at Kochi-Muziris Biennale 2016TRANSFER: DownloadIFSAK 24: Istanbul Photography DaysArtist Talk at Centre PompidouCinema Time ExhibitionMigratory Interdisciplinary Grid 21AES+F. Inverso MundusPsychosis at Electrotheatre StanislavskyAES+F Talk "weird" for Creative Mornings MoscowKollektsia! Soviet and Russian contemporary art from 1950-2000 in the collection of the Centre PompidouAES+F: Inverso Mundus at Galeria Senda, BarcelonaAES+F: INVERSO MUNDUSInverso Mundus and First Rider at NordArt 2016Psychosis – production at Stanislavsky ElectrotheatreInverso Mundus at Platonov Festival 2016ForeverMöglichkeit Mensch2050. A BRIEF HISTORY OF THE FUTUREAES+F. INVERSO MUNDUSBALAGAN!!!!001 INVERSO MUNDUS. AES+FINVERSO MUNDUS, WOMEN'S LABORAES+F IS AWARDED THE PINO PASCALI 2015 PRIZETHE TRILOGY PLUS2050. A BRIEF HISTORY OF THE FUTURESCREEN PLAY: LIFE IN AN ANIMATED WORLDNORDART 20156th SWISS TRIENNIAL FESTIVAL OF SCULPTUREARTS FESTIVAL OF NORTH NORWAY 2015: "OCEANIC FEELINGS"DEATH AND BEAUTY. THE CONTEMPORARY GOTHIC IN ART AND VISUAL CULTUREPOST POP: EAST MEETS WESTRUSSIA-SWITZERLAND

Media Utopia

October 30th - December 30th, 2020 / Jeju International Peace Center, Korea

We are pleased to participate in a duo-show at the Jeju International Peace Center in Korea with the work Allegoria Sacra.

Asia has experienced continuous ups and downs throughout its history of ‘modernization by others’. Our history, encompassing colonization, ideological conflicts, religions strife, and the Korean War, cannot simply written in a one-sided perspective. The past is not entirely closed off. Rather, the past remains in the present – it lives on. Today, the historicization of Asia by others is being reorganized. The rise of far more autonomous and multi-faceted perspectives on contemporary Asia was concurrent with economic and cultural growth of the regions.

We are on the threshold of a new era in which our imagination can extend itself to infinity between reality and illusion. Advances in digital technologies have given us chances to escape the politics or capitalist hegemony and express individual voices beyond the limits of writing or speaking.

The exhibition Media Utopia at International Peace Center Jeju presents two contemporary artist collectives who restructure the multi-dimensional experiences in history of Korea and Asia. AES+F, the Moscow-based collective of four artists, and the Korean artist collective, Kim Kira x Kim Hyungkyu, utilize new technologies as mediums to re-imagine history.

Two groups of multimedia artists in this exhibition invite viewers to reflect on personal autonomy, namely independence, instead of an objectified perspective imposed by external authority, for recreating our past and present. Blurring the lines between phenomenon and delusion, objectivity and subjectivity, and imitation and creation, the artists infuse imaginations and new values into our society.

The exhibition features two video installations. The 2-channel video installation by Kim Kira x Kim Hyungkyu borrows the form of music video as a means of communication in today’s visual culture. The work titled Floating Village_The Song of Wi Jaeryang embodies many of the issues related to conflict across generations, classes, and ideologies in the past and the present of Korea. The multi-channel video installation by AES+F creates a utopian vision of the present and future of Asia. Allegoria Sacra shows an ideal society without conflicts between nations, races, and religions.

Media Utopia features multi-channel moving images. Pioneered by Nam June Paik, video art has expanded across media borders and developed into moving images along with advances in digital technology. Today’s projection technique has been infinitely transforming the flat exteriors of a screen into a three-dimensional space. The exhibition will highlight such expansion of video in contemporary art and provide a multisensory experience for the viewer.