Media Utopia#cute. Islands of HappinessEutopia: Narrative and RhetoricWhat Came to PassTurandotAES+F Artist Residency Award at ISCPFeast of TrimalchioTime CubismGeneva International Film FestivalAES+F. Feast of Trimalchio14th Curitiba BiennialAllegoria SacraPredictions and RevelationsQuid est veritas?Inverso MundusTurandotMare MediterraneumTurandotHyperPrometheus: The Legacy of FrankensteinBangkok Art Biennale 2018Inverso MundusWuthering HeightsBric-a-brac: The Jumble of GrowthHere and Now!RESIST! THE 1960S PROTESTS, PHOTOGRAPHY AND VISUAL LEGACYMare MediterraneumAES+F. Theatrum MundiArt of the 2000'sGeneral RehearsalLICHTEMPFINDLICH 2. Photography from the Schaufler collectionTRANSFER Download @ NADA NYThe Art of SimulationInverso MundusArt Riot: Post-Soviet ActionismPlease come back. The world as a prison?unREAL. The Algorithmic PresentBright Childhood | Dark ChildhoodMIG 21Hyper RealDigitalife 2017Lichsticht Projection Biennale 2017Fibering - Eco as a VerbStress Field / 4th Documentary Exhibition of Fine Artscurated by_Adrian NotzMIG 21AES+F. The Feast of TrimalchioInverso Mundus at ELEKTRA FestivalPsychosis PremiereInverso Mundus at Rencontres InternationalesDisturbanceNordArt 2017unREAL. The Algorithmic PresentDying well – False deathKino der KunstInverso Mundus at Rencontres InternationalesFeast of Trimalchio: Site-specific installation on Sunset BlvdImaginary AsiaNADA New York, 2017Please come back. The world as a prison?Bric-a-brac: The Jumble of Growththe real-fake.org.2.0The Last Gaze: Postmortem Portrait in Contemporary PhotographyL’arte differente: MOCAK al MAXXIAES+F at Kochi-Muziris Biennale 2016TRANSFER: DownloadIFSAK 24: Istanbul Photography DaysArtist Talk at Centre PompidouCinema Time ExhibitionMigratory Interdisciplinary Grid 21AES+F. Inverso Mundus at Mobius galleryPsychosis at Electrotheatre StanislavskyAES+F Talk "weird" for Creative Mornings MoscowKollektsia! Soviet and Russian contemporary art from 1950-2000 in the collection of the Centre PompidouAES+F: Inverso Mundus at Galeria Senda, BarcelonaAES+F: INVERSO MUNDUSInverso Mundus and First Rider at NordArt 2016Psychosis – production at Stanislavsky ElectrotheatreInverso Mundus at Platonov Festival 2016ForeverMöglichkeit Mensch2050. A BRIEF HISTORY OF THE FUTUREAES+F. INVERSO MUNDUSBALAGAN!!!!001 INVERSO MUNDUS. AES+FINVERSO MUNDUS, WOMEN'S LABORAES+F IS AWARDED THE PINO PASCALI 2015 PRIZETHE TRILOGY PLUS2050. A BRIEF HISTORY OF THE FUTURESCREEN PLAY: LIFE IN AN ANIMATED WORLDNORDART 20156th SWISS TRIENNIAL FESTIVAL OF SCULPTUREARTS FESTIVAL OF NORTH NORWAY 2015: "OCEANIC FEELINGS"DEATH AND BEAUTY. THE CONTEMPORARY GOTHIC IN ART AND VISUAL CULTUREPOST POP: EAST MEETS WESTRUSSIA-SWITZERLAND

Eutopia: Narrative and Rhetoric

September 22nd - October 20th, 2020 / Art Museum of Sichuan Fine Arts Insitute, Chongqing, China

Allegoria Sacra, inspired by Giovanni Bellini’s mysterious painting of the same title, depicts a surreal world suspended in time, where passengers stuck in a futuristic airport drift into one another’s dreams. With a myriad of references to Bellini’s painting, as well as to global history and pop culture, the work allegorically uses the airport to refer to purgatory, where people from many walks of life congregate as they await their fate.

Inverso Mundus is based on the medieval engravings of a world upside-down, a comic strip from the middle ages depicting various social roles and norms reversed. AES+F’s epic video tableaux, like the medieval engravings, depicts a world where social conventions are inverted to highlight the underlying premises that we take for granted. In a whimsical reversal of the concept of the inquisition, women clad in cocktail dresses are sensually torturing men in cages and on devices styled after IKEA furniture. An international board of directors is usurped by their impoverished doppelgangers. The poor give alms to the rich. A pig guts a butcher. Virus-like objects loom over and settle on oblivious people who are taking selfies…